My work investigates the interplay of modular systems and gestural mark‑making. The chromatic grid operates as a regulating matrix, while iterative, overlapping geometries produce zones of spatial ambiguity. Through these contingent interactions, the compositions examine how visual knowledge is constructed, destabilized, and continually renegotiated within patterned fields. I prefer a geometry that is permeable and responsive, where the ambiguity of geometric forms encourages an exploration of associative memory in both artist and viewer.
